Christian Lacroix Couture

While continuing to pursue Ariadne's mysterious clew, Lacroix has personally always hovered between the purity of structures and the ecstasy of ornaments.
He detest emptiness and fill it with flowers, painting, or something similar. He always is the Mediterranean man of paseos, of the Lices and of those processions combining ornamentation with allure, gipsies from the Ganges with bohemians from Kensington. He love snobbery, the real kind, when it signifies the right to be different, when it's about elegance, about the humble spangles of traveling shows.